“Not the least of the virtues of Landscape into Eco Art
is that it offers a well-developed sketch of one convincing, conceptually consistent way of understanding our present situation.”
—David Carrier, Brooklyn Rail
“This engaging book is recommended highly for academic libraries that support studio art, art history, environmental studies, or landscape architecture programs.”
—Heather Saunders, ARLIS/NA Reviews
“Summarizing what is now a vast literature on environmentally engaged art, Mark Cheetham usefully historicizes landscape painting, land art, and eco art in Western traditions—and polemicizes against severing any of these artistic practices from landscape as such. Rather than make excuses for the centuries-old genre of landscape, Cheetham wants to use its encumbrances to reveal investments from the past. An essential contribution to urgent issues of the Anthropocene.”
—Caroline A. Jones, author of Machine in the Studio: Constructing the Postwar American Artist
“Landscape into Eco Art
offers a much-needed art history of the Anthropocene. Landscape art is not merely a precursor to contemporary practices, however. Cheetham’s ‘preposterous’ interpretive framing of eco art mobilizes fresh understandings of the landscape tradition in relation to Western industrialization. The case studies challenge the temptation to confine ecology to a political discourse. Instead, aesthetic history is borne out in a rethinking of how ethical dilemmas spark a new artistic modus operandi. A rich and compelling read.”
—Amanda Boetzkes, author of The Ethics of Earth Art
“A major contribution to the burgeoning discussion of ecology in the history of art, Landscape into Eco Art
effectively cuts across a number of long-standing cul-de-sacs in late modern art scholarship by distilling debates from a truly expansive range of voices. Mark Cheetham’s claims about the persistence of landscape in the production and analysis of contemporary art absorbs cutting-edge thinking about climate change while working through legacies of environmental art in both Europe and North America.”
—James Nisbet, author of Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s
Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art
, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting.
Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet.
An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.
List of Illustrations
1. Manipulated Landscapes
2. Beyond Suspicion: Why (Not) Landscape?
3. Remote Control: Siting Land Art and Eco Art
4. Contracted Fields: “Nature” in the Art Museum
5. Bordering the Ubiquitous: The Art of Local and Global Ecologies
Mark A. Cheetham is Professor of Art History at the University of Toronto. His most recent books include Abstract Art Against Autonomy: Infection, Resistance, and Cure Since the 60s and Artwriting, Nation, and Cosmopolitanism in Britain: The “Englishness” of English Art Theory since the Eighteenth Century.]]>
Explores the practices of ecological art, a genre addressing the widespread public concern with rapid climate change and related environmental issues. Examines connections and divergences between contemporary eco art, land art of the 1960s and ‘70s, and the historical genre of landscape painting.]]>